- Happy birthday, John
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The power of rock and roll is a constantly amazing process. Although it is Bob Dylan who is the single most important figure in rock and roll; and although it is the Rolling Stones who are the embodiment of a rock and roll band; it is nonetheless Our Boys. The Beatles, who are the perfect product and result of everything that rock and roll means and encompasses. Never has this been so plainly evident as on their new two-album set. Read more. In the ensuing years it has grown enormously with peaceandlove events all over the world, and this year already has over 30 events in 22 countries listed below.
I also want to thank each and everyone of you for continuing to help spread peace and love, Ringo. Huge congratulations to all the cast and crew at the The Beatles LOVE by Cirque du Soleil - an incredible achievement and the show continues to be as thrilling as ever! The Beatles currently have the distinction as being the highest certified band in Gold and Platinum Award history, with million certifications across their discography. Read more at uDiscover. The new film will be based around 55 hours of never-released footage of The Beatles in the studio, shot between January 2nd and January 31st, The album was eventually released 18 months later in May , several months after the band had broken up.
Have you listened to all tracks from the White Album anniversary editions? Out Now.
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O rdeyour copy here. As another piece of his comeback that started with the ELVIS television special and continued with his first Memphis recordings since the mids, Elvis had been performing to sold-out crowds in the newly-opened International Hotel's main showroom since July With a grueling two-shows-a-night, seven-days-a-week, schedule, Elvis had performed over 40 triumphant concerts in just three weeks.
He was starting the last week of an engagement that, outside of four shows for small studio audiences during his TV special, represented his first live concerts in nearly nine years. They also made test recordings during a rehearsal and the Dinner Show on August Record 2 consisted of additional material from his Memphis sessions, a follow-up of sorts to June's From Elvis In Memphis album.
Record 2 also earned a solo release, as Back In Memphis. Since the original Elvis In Person was a re-release, you could say this FTD edition is actually a re-release of a re-release. However, if any re-release deserves the label 'classic', it is Elvis In Person. Elvis In Person was actually the second Elvis record I ever owned the first was Return of the Rocker , which I won on a radio call-in contest.
My older sister gave it to me for my twelfth birthday in I loved this album so much that I later bought a cassette tape version which, incidentally, had the songs in a different sequence than the original album and a CD version. Just about the only versions I haven't owned of this album are the 8-track version and the MP3 version. Though I rarely play the vinyl record she gave me anymore, I still associate this album, even on CD, with my sister. It's just that kind of album.
Disc 1 - The Original Album. Considering the space restrictions of the double album, the twelve tracks that make up the original album are well-chosen. Elvis' between-song banter is also nicely edited to achieve an effective concert package. Elvis' spoken introductions to most songs now appear at the end of the previous track, rather than at the beginning of the relevant track. Oddly, FTD does not follow this convention on Disc 2 , however, where most of the spoken introductions are at the beginning of the relevant track rather than at the end of the previous track.
Attention to detail has never been FTD's strong point, though. They thrive instead on the power of the underlying Elvis content. Disc 1 is rounded out by seven other previously-released tracks from the concerts. Two first appeared on the misleadingly named On Stage — February, album. The others first appeared on 's Collectors Gold , though the sound quality here is superior. Unfortunately, these seven tracks are poorly edited together to form a mini-concert.
Happy birthday, John
It would have been cleaner to simply fade up and down each track during the applause and treat them separately, especially given the little care that was taken here to edit these songs together. While it's always nice to have a new show, the relevance of this show to the Elvis In Person album is not entirely clear. It contributed in no way to the original album. If they had, Disc 1 would have been the CD release of the edited concert with original sound and Disc 2 would have been some other random but unreleased concert. Instead, they gave us the complete version of the same Memphis show with improved sound and mix, and did it with a single disc.
They did not bother including the edited album and original mix, since they were aware back then that those who collect FTD CDs would already have this material. With all that being said, the August 22 Dinner Show is fine. It is pretty much a standard show, similar to two or three of the other full-length releases that preceded it.
Outside of a questionable mixing choice on a track or two, most of the sound is fantastic. Like the other concerts in this series, Elvis tends to ramble on a lot between songs. The distracted nature of many of his quirky comments would be a real detriment to these concerts if the songs he eventually gets around to singing just weren't so damned incredible. When it comes to concerts, I definitely prefer a talkative, interactive Elvis think the August That's The Way It Is concert series versus a quiet, distant one think the January Aloha From Hawaii concert , but sometimes his talking on these shows is too much even for me.
As I said, the fantastic performances more than make up for it, though. Even now, it is hard to believe that a mere eight years after these dynamic shows, the Elvis world would be in mourning and this wonderful entertainer would be forever gone. This is Elvis' best live version of this song from the era. Though the tracks are not completely identical, at least some of the audio from what was supposedly the August 21 Midnight Show appears on this supposedly August 22 Dinner Show track, or vice-versa.
Presumably, the 'Blue Suede Shoes' audio was damaged or missing for one show or the other. I am not expert enough to figure out to which show this song really belongs, and since Elvis isn't kind enough to mention the date and time of the show he is performing during the song, I can't tell you for sure. What I can say is that this is another great version of 'Blue Suede Shoes', no matter when it was recorded.
Again, Elvis' best version.
At the end of this track, Elvis notes that 'This is my first live appearance in nine years', which led me to wrongly believe as a kid that Elvis In Person was a recording of his opening night in Vegas. Now we know that Elvis said a variation of this phrase in every concert released so far. There is even a famously mis-titled bootleg floating around out there due to this line, so I don't feel so bad. As an adult, I appreciate its near-operatic quality and now consider this a beautiful arrangement. Those clever RCA guys. The 'laughing' version from the August 26 Midnight Show trumps all others, though.
I wonder if there was ever any consideration of using that one on Elvis In Person? Probably not.
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Though this would also eventually become a throwaway, Elvis really kicks the song into high gear here. At least he doesn't do the frog and lily pad bit this time. There is also some sad irony here, as Elvis correctly notes, 'Man, I tell you, if this comes out on record, I'm dead, I tell you for sure, boy'. He performed this one better in , anyway. This is definitely one of the highlights of this album. This is easily the best of the three versions released thus far. This makes for a sloppy transition. Even the CD release handled it better than this.
Anyway, forget all of that, though. This is a fantastic version of the 'Mystery Train' and 'Tiger Man' medley that keeps the rocking spirit of this album moving. I prefer the excitement of the and live versions of 'Tiger Man' over the version performed for the TV special. This is a nice mix, though, emphasizing both the percussion and guitar, while other mixes of this medley tend to emphasize one or the other. I prefer his August versions, but this is probably the best version. Listen out for Jerry Scheff's impressive bass work on this version, though. I remember being fascinated by the length of this live version as a kid.
Most Elvis songs I had been exposed to up until that point were about two minutes long, so this felt like four songs in one to me. Though this version is okay, it is one of the weaker ones from this engagement. As noted above, I prefer the August 26 Midnight Show version. Perhaps RCA did not want a superior live version to overshadow the single, which became his biggest seller in years.
It must have been something to see. A great version, Elvis' performance, the sound quality, and the mix are all top-notch.
Personalized Birthday Songs
I love this song. I just hope the neighbors don't mind hearing it! This track and the next one both had vocal overdubs by no less than nine singers prior to release on that album. In his performances of 'Yesterday', Elvis concluded the song with the repetitious ending of 'Hey Jude'.http://beta.cmnv.org/map70.php
24 Best Mother's Day Songs to Pay Tribute to Mom
RCA edited this out of the original On Stage version, though restored it for a re-release of that album. I can't say I miss it too much, though. This is one of the only cases where that kind of tampering actually results in a stronger track. It is a slow song that at first sounds like it has potential, but really doesn't go anywhere. Elvis improves this live version a bit by clowning around.
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